WITH THE NOSTALGIA FOR THE ORIGINS OF THE INTERNET

19.03.26 - 29.03.26
La Volonté 93
15 Rue Jean Pernin, 93400 Saint-Ouen
Paris, France



CHEWING GUM
IN THE MOTHERBOARD




Vincent Aguilera
Jeanne Bekas
Morgane Baffier
Max Blotas
Célia Boulesteix & Florian Gauthiero
Vincent Burger
Raphaël Moreira Gonçalves
Maëlle Poirier
Katya Quel
Vincent Tanguy


After two chapters in Berlin, Chewing Gum in the Motherboard lands in Paris.

A motherboard cracks.
We press gum into the circuit.

The exhibition explores repair as a cultural gesture — fragile, improvised and collective. The motherboard becomes a metaphor for origin and infrastructure; the chewing gum a symbol of naïve yet stubborn resilience. Between glitch and care, collapse and invention, the works navigate life shaped by hyper-connectivity, DIY survival, underground culture and systemic instability. The layered in-between spaces utopia where failure is the method and softness is the resistance.



Jeanne Bekas, while(true), 2024, 60 × 20 × 20 cm, aluminum lights, LEDs, polyester sheets, electronic components
Katya Quel, Residual Panel IX, 2026, dimensions variable, wood panels, PMMA, acrylic paint, pigments, mixed media, Katya Quel, Crystal Nodes, 2026, variable dimensions, plaster, crystallized aluminum, cardboard, expanding foam, resin, paint, electronic boards, mixed media
Katya Quel, Crystal Nodes, 2026, variable dimensions, plaster, crystallized aluminum, cardboard, expanding foam, resin, paint, electronic boards, mixed media
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture
Vincent Aguilera, BIG EYES aka WHEN SHE BREAKS THE PLATES aka KITCHENCEL, 2025, 80 × 70 × 80 cm, 3D print (PLA), acrylic paint, wood, animatronics, Arduino
Vincent Aguilera, GENE’ATIC, 2024, 3D animated short film, 5’00
Raphaël Moreira Gonçalves, Z_dreams (variation 2), 2023, 50 × 40 × 5 cm, mixed media, clay, AI, acrylic paint
Raphaël Moreira Gonçalves, Henry was moving faaast, 2023–2026, 120 × 30 cm, mixed media, strings, latex, acrylic paint, motors, microcontroller
Olympe Deboaisne, I keep dreaming about…, 2025, 60 × 40 cm, papier mâché
Olympe Deboaisne, From Space, Looking at Earth, 2025, video, found footage, sound, 24 min
Morgane Baffier, The story of James Howells, 2025, video, 10 min
Max Blotas, WILD MOUNTAIN BLUEBERRY ICE, 2025, 40 × 18 × 10 cm, chewing gum, motor, surveillance camera, screen, LED, microcontroller
Max Blotas, VAPE LAGOON, 2021, 15 × 30 × 12 cm, handbag, laser, chewing gum, ultrasonic mist, suspended water, nutrients
Exhibition view
Maëlle Poirier, flower imprint, 2026, 40 × 31 cm, silicone, tracing paper, microbeads, LED, mixed media
Célia Boulesteix & Florian Gauthiero, DUE (Make a film), 2024, variable dimensions, steel, glass, silicone, spray paint, cotton, resin, electrical cables
Maëlle Poirier, globe de pomme, 2026, 25 × 25 × 25 cm, plastic, tracing paper, motor, Arduino, LED, mixed media
Vincent Tanguy, Tribune #12, 2025, 25 × 22 × 20 cm, acrylic paint on plaster and raw earth, found steel
Vincent Tanguy, Tribune #8, 2024, 35 × 47 × 34 cm, acrylic paint on wood, plaster, brass
Vincent Tanguy, Tribune #10, 2024, 44 × 90 × 44 cm, acrylic paint on wood and plaster, copper, plastic tubes, found materials
Vincent Burger, Paradigm Shift, 2023, 200 × 175 × 80 cm, multimedia installation, resin sculpture


In an era defined by relentless technological acceleration, Chewing Gum in the Motherboard delves into the psyche of a generation shaped by hyper-connectivity, YouTube-DIY ingenuity, as well as systemic collapse. The title itself offers a poignant metaphor: the humble act of fixing a complex machine with chewing gum — a naïve yet earnest gesture of repair. This symbolic effort highlights both the vulnerability and resilience of human creativity when confronting overwhelming challenges. Choosing the motherboard as a central metaphor elevates this act into a meditation on care and origins: a core structure that is both foundational and fragile, requiring constant attention and reinvention.

The artists in this exhibition respond to the fragmentation of contemporary life through glitched aesthetics, speculative environments, and a fusion of nostalgia with invention. Within the space, these dynamics unfold through systems under tension: a piece of chewing gum placed under surveillance becomes the subject of continuous observation, while another is slowly altered through a controlled process of degradation. Biometric data drawn from an intimate encounter is captured and replayed in loops, translating the body into signal. Elsewhere, a lost hard drive drifts between landfill and digital myth, while generated images, fragments of dreams, and video game aesthetics construct unstable environments populated by residual presences.

Their works unfold as fragile dream constructions — layered, shifting, and often unstable. Interfaces persist but lose their legibility, appearing as remnants of control systems, surrounded by expanding forms that hover between mineral growth and technological extension. Environments assemble from fragments, lived traces, and reconstructed landscapes, while familiar objects — an apple, domestic furniture, a keyboard — are displaced and reimagined as speculative forms or collective structures.

Employing digital imaginaries, modified devices, and underground culture, these creators reveal the contradictions of post-internet life, oscillating between exuberant experimentation and a critical reckoning with a capitalist system that often feels inescapable. This dynamic results in works that refuse binaries — retreat versus resistance, destruction versus creation — embracing instead the chaotic beauty of their in-between spaces. In doing so, Chewing Gum in the Motherboard captures the ethos of a generation that is both burdened by systemic failures and energized by the potential of speculative futures.


Curator & Text Katya Quel / Erratum Projects
Photographers  Misha Gudwin